From Saturday 7 March to Sunday 22 March 2026
Click Here to Join Our Mailing List

Katarzyna Kowalik harpsichord – Scarlatti & Handel

Katarzyna Kowalik harpsichord – Scarlatti & Handel
5 December 2025 Barnes Music Festival
17th Mar 2026

Katarzyna Kowalik harpsichord – Scarlatti & Handel

Programme:

  • George Frederic Handel (1685 – 1759)  
    • Harpsichord Suite No. 5 in E major HWV 430  
    • Prelude  
    • Allemande  
    • Courante  
    • Air and variations “Harmonious Blacksmith”  
    •  Harpsichord Suite in D minor HWV 448  
    • Ouverture  
    • Allemande  
    • Courante  
    • Sarabande I & II  
    • Chaconne  
  • Stephen Dodgson (1924 – 2013)  
    • Inventions  
  • Domenico Scarlatti (1685 – 1757)  
    • Sonata in D minor K 9  
    • Sonata in C major K 513  
    • Sonata in B minor K 27  
    • Sonata in A major K 208  
    • “Fandango” 

Polish-British harpsichordist Katarzyna Kowalik performs as a soloist and with period ensembles in the UK and across Europe. She was awarded the Guildhall Artist Fellowship twice after completing a Masters Degree in Historical Performance at the institution.

This recital traces musical roots across borders, politics, and time. George Frederic Handel, who  lived for a period in Barnes, is represented by two dazzling harpsichord suites, including the famous  Harmonious Blacksmith variations. His contemporary Domenico Scarlatti, whose career spanned  Italy, Portugal, and Spain, is heard in a vivid selection of sonatas and fiery Fandango. Although their paths first crossed in Italy, both composers later became entangled in the political  and cultural currents of 18th-century London, where Scarlatti’s sonatas even appeared in a striking  Jacobite edition. Their music reflects not only virtuosity and invention but also the shifting  allegiances of their world.  

Bringing the story closer to home, the programme also honours Barnes-based composer Stephen  Dodgson (1924–2013), whose ‘Inventions’ connect modern creativity with the harpsichord’s long tradition. Together, these works invite us to hear how place, politics, and personality shaped music’s  roots in Barnes and beyond.

Supported by:

The Stephen Dodgson Trust